Not what I am, O Lord, but what Thou art (Hymn 672) Piano Sheet Music (Free PDF)

In 4/4 (simple quadruple meter), rhythmic continuity is shaped by a balanced metric groundwork providing grounded stability with primary weight on beat one and secondary stress on beat three. The reference performance speed is ♩ = 88 BPM (*Moderato*), yielding a balanced with steady metric poise tempo profile. From a phrasing standpoint, channel energy through the middle beats toward subsequent downbeats to preserve continuous phrasing arcs.

Anchored in F Major, this work utilizes a key signature of one flat (B♭). The composer builds structural coherence around F, deploying the relative pole (D Minor) to introduce tonal contrast before resolving through C Major. Harmonically, the progression D → G → E → A concludes with an authentic resolution that firmly anchors the home pitch. In terms of hand topography, F Major yields a warm, resonant setting where navigating the single flat requires thoughtful thumb management.

Not what I am, O Lord, but what Thou art (Hymn 672) highlights T. Collins's refined handling of musical materials in the traditional liturgical choral literature. The complete engraving encompasses 32 measures across 2 pages, verified against historic ecclesiastical hymn collections. Bibliographic registers identify this title under ISWC `T-08D.D41.5A-1` and catalog entry `mbid-08dd415a-sheetpdf`.

• ✨Repertoire Setting: Recommended for sanctuary services, choral preludes, and devotional ceremonies, the piece fits versatile programming needs.
• ✨Practical Transposition: Beyond the primary engraving in F Major, collaborative accompanists can adapt the key: lower voices (alto/bass) benefit from transposing into E-flat Major, while high voices gain projection in G Major. Ensembles may utilize C Major for brass fingerings.
• ✨Rights Verification: Due to authorial timeline expiry, the piece is in the worldwide public domain for academic and commercial performance alike.