Lord, Thy Name is called Jesus (Hymn 68) Piano Sheet Music (Free PDF)

Attributed to Joseph Perry Holbrook, Lord, Thy Name is called Jesus (Hymn 68) forms an integral entry in the hymnological choral and organ repertory. Laid out across 2 pages containing 32 measures, this score draws authenticity from historic ecclesiastical hymn collections. Work tracking associates this edition with ISWC identifier `T-107.398.30-1` and registry `mbid-10739830-sheetpdf`.

The piece operates in B-flat Major, governed by a signature with two flats (B♭, E♭). This tonal center positions B♭ as the primary acoustic anchor, while G Minor and the dominant F Major supply contrasting tonal colors. Harmonically, the progression G → C → D → C G fades gently into the home key via a pastoral plagal cadential turn. Keyboardists will find that B-flat Major creates a warm resonance widely preferred in winds and vocal hymnody, fitting standard hand spans comfortably.

Operating within 3/4, this simple triple meter generates a graceful waltz-like momentum that unfolds across three distinct quarter-note measures. The benchmark tempo of ♩ = 88 BPM (Moderato grazioso) conveys a stable with buoyant, relaxed momentum sensibility. During execution, keep forearm weight loose on beat one while gracefully floating through beats two and three.

Assigned an overall Beginner rating (introductory piano syllabus (RCM Preparatory Level)), the composition exercises manual independence. The central obstacle centers on keeping a steady beat with simultaneous hand releases and proper finger numbering. In performing traditional choral block voicings with cantus firmus projection, keep finger knuckles rounded and poised. For acoustic hygiene, sustain acoustic resonance across stanzas while clearing on cadence rests. Practice Recommendation: play hands separately at 60 BPM while naming note names aloud to solidify keyboard geography. Score pointer: ### Church Accompaniment & Performance Guide

1. Prelude Registration: Play through the opening verse with soft 8' flute and string stops or gentle acoustic.

1. Recital Staging: This selection integrates smoothly into worship services, sacred choir accompaniment, and church festivals.

2. Key Customization: Adapting the original Bb Major setting is straightforward: lower tessituras find comfort in A-flat Major, whereas soprano instruments or solo flutes achieve singing resonance in C Major.

3. Licensing Status: Historical copyright on this musical work has expired globally, permitting unrestricted educational and concert use.